Through a forward-thinking hybrid process that merges traditional material handling with digital intervention, my work expands how audiences experience colour, structure, and historical atmosphere. Buildings are not static subjects but evolving compositions, fragmented and reassembled to reflect the act of looking, remembering, and recording.

From intimate panels to larger architectural series, my practice challenges conventional approaches to landscape and architectural depiction. Whether referencing the precision of woodblock print aesthetics or the abstraction of layered collage my work reshapes how place is collected, edited, and ultimately experienced—turning each surface into a constructed visual journey rather than a fixed image.